Calling all Pretentious Elitists

I added Pretentious Classical Music Elitists to the links on the right. It's a good place for some contentious discussion about good music, and what makes music good. The catch is that you must be a member of Facebook in order to even see it. I'm not advocating that anybody join Facebook for the sole purpose of seeing that page, but if you are on there already, it is worth dropping by.

That said, I don't recommend joining unless you actually like music that others describe as pretentious and elitist. Rachel Portman or Eric Whitacre fans needn't bother. The fact that people with strongly populist tastes join the group raises an interesting question: why do people want to be labeled as pretentious and elitist? I don't seek those labels out, and have to defend myself against them. It's not that I'm pretentious or elitist; it's just that I have high standards and enjoy music that others may dismiss as difficult. Liking Babbit or early Glass isn't a put-on; I actually do enjoy listening to it. I don't enjoy listening to La Boheme. So for me to join that group isn't an admission of being snobby or pretentious as much as it is an acknowledgment that I wouldn't be able to shake the label if I tried.

Norm Lebrecchht's next book?

Apparently, classical music isn't the only form that's dying.

Serving the Public Good Indeed

Apparently, those of you in Wisconsin are being subjected to Rachel Portman's Little Prince opera tomorrow.

Once upon a time, they showed full performances of real operas and orchestral concerts routinely on PBS stations. Now they show this drivel, Andre Rieu, and the Vienna New Years Concert, and say, "Look at us, we broadcast culture!"

While last year's slate of broadcasts from the Met looked promising, in execution, they were scheduled at odd hours, and didn't live up to the press releases.

At least the radio portion of WGBH holds up its side of the bargain. I was astonished, on a recent visit to LA, to hear what KUSC deems radio-worthy. If I'd been there longer than 6 days, I have no doubt I would have heard every Mozart piano concerto, but nothing from outside "the box."